Hi all, could someone explaine or point me in the direction to learn the work flow for "deformation via collision", I googeld this and looked in the poser docs and not sure what I am looking for to accomplish this.
Its (relistic penitration) an area I really wnat to improve on. I have been doing the Zbrush custom morph routine and that works ok but not great (in my attempts) due to low rez of the mesh so there is only so much sculpting that can be done at that resolution.
I wouldn't say it's mandatory to pick up the first volume. But they do kinda drop you right where vol.1 left off. I hadn't finished the first one but i was far enough in to know basically what was going on when I jumped into vol.2. Although some story elements will make a little more sense if you've seen vol.1. I personally found vol.1 a little frustrating as far as getting the story to progress. In vol.1 you spend a lot of time going from location to location and spamming investigate/talk/observe until something happens. I got stuck a lot. Vol.2 doesn't make you do that. It's pretty straight forward. You still gotta spam investigate/talk/observe but at least you don't have a list of locations so you're guided down the proper path, with story branches being fairly obvious in most cases. It plays more like a movie that way.
Plus! During the credits they do a montage of all the non porn scenes from vol.1 &2. No talking, but I thought that was a nice touch.
So I'd say go ahead and grab vol.2 and if your curious about the events leading up to vol.2, you can struggle with vol.1 after you've seen the end, like I am, lol!
Thanks again Darq, for the pros & cons of part 1 vs part 2 !
Sent ya a pm as well
but then again, if we are creators, we take a step back & work the easel some more.
i would look at the result being an image of a scene with a character, therefore everything that composes the image will suggest meaning & interpretation - techniques we're feed by movies & tv shows (part of the media vocabulary)
The Dark Knight (directed by Christopher Nolan): Nolan uses extremely low angle shots to give the Joker a more powerful image in The Dark Knight, especially during the scene where the truck he was driving is flipped over and he gets out and starts shooting at Batman. In this scene, the angle actually goes from a normal medium close up and slowly moves into a low angle shot.
I like lanas breasts, they are very nice. But the Problem in RL is that you can find the size but not the form or you can find the form but not the size. In RL I would prefer 0.5xLana.
But in 3DX she has nearly the perfect breasts, but I think you cannot say "the" perfect breasts, because there are so much beautiful versions of big breasts in 3DX.
My Characters are around 0.2 to 0.8 x Lana, only one has more she must be around 1.2 or something like that.^^